The publishers offers limited time 50% discount on orders placed directly via Berghahn book webpage. Use code PAU615, valid through February 28th, 2019. You can also read the Introduction.
The volume Humanitarianism & Media: 1900 to the Present, ed. by Johannes Paulmann, traces the emergence of humanitarian imagery in the West and investigates how the meanings of suffering and aid have been constructed in a period of evolving mass communication, demonstrating the extent to which many seemingly new phenomena in fact have long historical legacies.
“This volume consists of timely, useful, original contributions by
historians, media scholars and anthropologists that will be essential
reading for students”.• Davide Rodogno, Graduate Institute of Geneva
“Based on substantial archival research and informed by relevant
theoretical debates, this thought-provoking volume engages the reader in
an interdisciplinary exploration of the central role the media have
played for humanitarian initiatives, contributing significantly to
recent scholarship on the subject”.• Nina Berman, Arizona State University
Katharina Stornig, Leibniz-Institut für Europäische Geschichte, Mainz: Review of Fehrenbach, Heide; Rodogno, Davide (Hrsg.): Humanitarian Photography. A History. Cambridge 2015.
Although the history of humanitarianism has recently attracted great attention from historians and social scientists, surprisingly little work has so far been done on its visual dimensions. Yet there can be no doubt that images, visual technologies, and media practices were fundamental to the emergence and formation of a global humanitarian enterprise since the nineteenth century. The volume “Humanitarian Photography,” edited by Heide Fehrenbach and Davide Rodogno, thus constitutes an important and most welcome contribution to a flourishing field of research. Focusing on the mobilization of photography by humanitarian activists and organizations in the twentieth century, the volume gives compelling insights into the transnational production, reproduction, use, and function of photographs in various contexts of humanitarian activism. Pointing to the key role that photography played in the development of humanitarianism, it introduces a range of people, groups and organizations that conceived of photographs as essential means in order to aid far-off people, to raise funds or to create awareness of human suffering. Fehrenbach and Rodogno insist on the need to study humanitarian photography in a historical perspective. Consequently, their volume, which follows an interdisciplinary approach and consists of both new texts and reprints of important articles in the field, presents a chronology, according to which humanitarian photography emerged out of transnational missionary activity, expanded within various international organizations and eventually developed into a professional field that was ethically framed and regulated in the 1980s.
At St Antony’s College Oxford, the Richard von Weizsäcker fellow organizes a conference on humanitarianism and aid. The meeting takes place at the European Studies Centre, 70 Woodstock Road, on 19 -20 June 2015. It focuses on the media as an essential feature of the history of humanitarianism. Contributors discuss both the role of the media in humanitarian activities, and the imagery produced in print or on screen. Scholars from history, media studies, and anthropology present recent research with a view on the visual discourse, the meanings and materiality of the images since the beginning of the 20th century. Critically considering the medialisation of the humanitarian, they analyse the interaction between humanitarian agencies and media actors.